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Friday, September 11, 2015
August 2015
July 2015
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May 2015
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Spiderman and Pedagogy
Spiderman and Pedagogy
What do Spiderman and a master class with Mr. James Anagnoson have
in common? Inspiration to help my students become better listeners to
their music.
I hope your teaching year is going well. Sometimes when you start new classes you wonder about the dynamics between students, parents and myself. This year has turned out to be a delight. Smart kids, excited parents, (they come on time) and for the most part students come ready to play and learn. But hand position and tone is always an issue I repeat week after week.
I was shopping at Hallmark and saw this cute little Spiderman stuffy, his head is just the right size to have a young student place their hand over his head to show how their hand should be in "spider finger position" when they play piano. Spidey is a great success, the boys love him, but by the time they move from Spidey to the piano and start playing all hope of a good hand position is gone.
Then I sat in on a master class with Dr. James Anagnoson, Dean of the Glen Gould School of Music in Toronto. Not only did I come home to the studio inspired but ready to approach my teaching a little differently. Slow Practice, Slow Practice; I knew that but sometimes you just need to hear it again. He stressed body position while sitting on the bench some of my students seem to grow 2 inches every week, I need to help them be aware of how they sit by moving the bench back. Their feet can now be flat on the floor instead of swinging or cross legged (horrors). Helping the student to listen to the tone and quality of a note or passage when played in a hand position that produces it, hence Spiderman's job is sitting at the piano to remind them. Fixing fingering to get a better tone and quality sound out of the piano and playing a passage for them then placing their hand on mine while I play the same passage, helping them to hear and feel their piece. I like to choose a varied group of pieces from easy to hard that will help them accomplish all these things.
And then a little practice incentive to encourage all these things.
In comes Wendy of Compose Create to create the incentive that was perfect for this season. She posted a free resource that has four thermometers on it, each thermometer represents a different goal for the students to accomplish. I'm using it this Christmas season to help students with their Christmas song. Under each thermometer a different aspect of the song that is to be accomplished: articulation, technique, dynamics, artistry, memory etc. You can write whatever is appropriate for a particular child. My advanced students received all four thermometers and the younger ones got one or two. We colour the thermometer each week to show their progress as we prepare for Christmas recital.
I love it when I'm encouraged by attending a seminar and great ideas from other teachers come together to help me be a better teacher.
Have a wonderful teaching season leading up to Christmas and I hope you are inspired by these few ideas.
Have a wonderful weekend
Lois Dicknoether
Solo Time Music Games
Master Class with Mr. James Agnoson
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I hope your teaching year is going well. Sometimes when you start new classes you wonder about the dynamics between students, parents and myself. This year has turned out to be a delight. Smart kids, excited parents, (they come on time) and for the most part students come ready to play and learn. But hand position and tone is always an issue I repeat week after week.
I was shopping at Hallmark and saw this cute little Spiderman stuffy, his head is just the right size to have a young student place their hand over his head to show how their hand should be in "spider finger position" when they play piano. Spidey is a great success, the boys love him, but by the time they move from Spidey to the piano and start playing all hope of a good hand position is gone.
Then I sat in on a master class with Dr. James Anagnoson, Dean of the Glen Gould School of Music in Toronto. Not only did I come home to the studio inspired but ready to approach my teaching a little differently. Slow Practice, Slow Practice; I knew that but sometimes you just need to hear it again. He stressed body position while sitting on the bench some of my students seem to grow 2 inches every week, I need to help them be aware of how they sit by moving the bench back. Their feet can now be flat on the floor instead of swinging or cross legged (horrors). Helping the student to listen to the tone and quality of a note or passage when played in a hand position that produces it, hence Spiderman's job is sitting at the piano to remind them. Fixing fingering to get a better tone and quality sound out of the piano and playing a passage for them then placing their hand on mine while I play the same passage, helping them to hear and feel their piece. I like to choose a varied group of pieces from easy to hard that will help them accomplish all these things.
And then a little practice incentive to encourage all these things.
In comes Wendy of Compose Create to create the incentive that was perfect for this season. She posted a free resource that has four thermometers on it, each thermometer represents a different goal for the students to accomplish. I'm using it this Christmas season to help students with their Christmas song. Under each thermometer a different aspect of the song that is to be accomplished: articulation, technique, dynamics, artistry, memory etc. You can write whatever is appropriate for a particular child. My advanced students received all four thermometers and the younger ones got one or two. We colour the thermometer each week to show their progress as we prepare for Christmas recital.
I love it when I'm encouraged by attending a seminar and great ideas from other teachers come together to help me be a better teacher.
Have a wonderful teaching season leading up to Christmas and I hope you are inspired by these few ideas.
Have a wonderful weekend
Lois Dicknoether
Solo Time Music Games
Thursday, September 10, 2015
April 2015
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Friday, February 13, 2015
February 2015
February Greetings!
Sweetly Yours,
It's that time of year
for either snow and cold or rain or all three depending on where you
live. I hope you have been safe and warm and you were able to keep on
teaching in spite of the weather. We've had tons of rain here in B.C.
while it seems the rest of Canada has been in a deep freeze along with
some parts of the USA.
NEW PRODUCT - Three kinds of Minors.
Writing scales are often a troublesome effort our students and sometimes confusing especially when it gets to the minors - harmonic, melodic and natural. My newest adventure "Three Kinds of Minors"
is printable of 36 pages of minor scales (four sharps and four flats)
and each page is a different way to write minor scales, to help
students gain an understanding of each scale and how it's written. Here
is a review from Whitney from Alabama, USA who helped me proof all the
pages.
"Just wanted
to let you know.....this product is making a HUGE difference for my
students. The whole "6 up and 7up" concept makes total sense to them.
I can't thank you enough!!!
Last week, I
worked through A minor with a student. Today, she played perfectly from
natural to melodic to harmonic. Then on her own, she figured out what E
minor would be once we played G major first!
I am so thrilled to have found this!!"
I am so thrilled to have found this!!"
Whitney
Check it out at Three Kinds of Minors at the Teachers Notebooks Store (and also thanks to Hailey from Vancouver for her help in proofing.)
MYC Halifax Conference
I am looking forward
to going to the Music for Young Children conference in Halifax this
July. I will not have a booth at this conference but don't worry,
I will still be bringing games to the conference but they will be pre-orders. Please browse the Solo Time Games Website and Solo Time Games Teachers notebook
and start your list of what you would like me to bring out to the
conference and keep posted on Facebook and Twitter for specials!
Happy Valentines Day
week and thanks to those who purchased Valentines Day printables from
the Teachers Notebook Store. I hope your classes enjoyed them as much
as mine did.
Lois
Solo Time Music Games
info@solotimemusicgames.com
Valentine Activities |
Valentine Match up - Note and keyboard Valentine Circle of 5th's - Keys to My Heart Valentine Beginner Match Up - Music for Young Children specific Valentine Beats - includes Triplets Valentine Music - Rhythms using 16th notes Valentine Tic Tac Toe and X's and O's - Beginner - Two levels included ![]() New and updated versions of all the games played in the form of tic tac toe and ending with a black out where everyone wins! Key's to my Heart - students match keys to the heart signatures. Great review for theory students learning key signatures up to four sharps and four flats. |
Games of the month |

" Give it a Rest" is one of my most useful teaching aids for helping students understand rest placement and it's coming in handy right now as my students prepare for the RCM Basic Rudiments exam.
This teaching aid helps students understand rest placement without the drudgery of having to erase their mistakes. The rest or group of rests are placed right on the card and can be easily removed if it is wrong and allows for a great opportunity for teaching rest placement concepts.
You can find it here www.solotimegames
January Composing
Happy January!
Christmas season was barley over and "boom" the stores were already putting out items for Valentines and Easter. Is there any rest in marketing and selling?
No, not really. It's always a process. Whether it be social media or word of mouth, it never really stops. Studio marketing sometimes just advertises itself as your families will invariably talk about lessons and thereby have marketed you by word of mouth. Sometimes it just happens and sometimes you have to be intentional.
Composition season with Music for Young Children is a great way to advertise visually and with intention. My students are having fun creating the Caterpillar Composition as they create their piece this season. When their piece is completed they will take the caterpillar home and hopefully hang it somewhere so it will be visible to their friends or take to school for show and tell and better yet the student will be asked to play his composition for his friends. This activity has the potential to be a great conversation starter about music lessons and who their teacher is which is free advertising for you!
Emma Skeete, a MYC teacher in Halifax, N.S. has written a great article (which I've posted below) on how she teaches composing to her students. It's chock full of great ideas and easy steps to take your young composers on their journey of composing. Thanks so much Emma for taking the time to share your thoughts and put them down on paper for us to glean from your experience.
Someone on Facebook posted this fabulous video on a super easy composing technique "repetition" from Chilly Gonzales, (not his real name) a Canadian living, performing and composing in Europe. Chilly Gonzales dissects Taylor Swifts new song "Shake it Off." I can't get that song out of my head once I say it or write it but who would have thought there would be a great teachable moment in that song. Share the video with your students and they will understand the trick composers use called "repetition." I've shared and sent the link out to all my parents as it's informative and educational and will give students the inspiration to complete their composition by "tying it off with a bow."
Valentines Day is in a couple of weeks and posted below is a list of what is available in the Solo Time Music Games Teachers Notebook store. Most of the Valentine Day printables have been updated and I think you will be happy with the result.
Christmas season was barley over and "boom" the stores were already putting out items for Valentines and Easter. Is there any rest in marketing and selling?
No, not really. It's always a process. Whether it be social media or word of mouth, it never really stops. Studio marketing sometimes just advertises itself as your families will invariably talk about lessons and thereby have marketed you by word of mouth. Sometimes it just happens and sometimes you have to be intentional.
Composition season with Music for Young Children is a great way to advertise visually and with intention. My students are having fun creating the Caterpillar Composition as they create their piece this season. When their piece is completed they will take the caterpillar home and hopefully hang it somewhere so it will be visible to their friends or take to school for show and tell and better yet the student will be asked to play his composition for his friends. This activity has the potential to be a great conversation starter about music lessons and who their teacher is which is free advertising for you!
Emma Skeete, a MYC teacher in Halifax, N.S. has written a great article (which I've posted below) on how she teaches composing to her students. It's chock full of great ideas and easy steps to take your young composers on their journey of composing. Thanks so much Emma for taking the time to share your thoughts and put them down on paper for us to glean from your experience.
Someone on Facebook posted this fabulous video on a super easy composing technique "repetition" from Chilly Gonzales, (not his real name) a Canadian living, performing and composing in Europe. Chilly Gonzales dissects Taylor Swifts new song "Shake it Off." I can't get that song out of my head once I say it or write it but who would have thought there would be a great teachable moment in that song. Share the video with your students and they will understand the trick composers use called "repetition." I've shared and sent the link out to all my parents as it's informative and educational and will give students the inspiration to complete their composition by "tying it off with a bow."
Valentines Day is in a couple of weeks and posted below is a list of what is available in the Solo Time Music Games Teachers Notebook store. Most of the Valentine Day printables have been updated and I think you will be happy with the result.
Have a wonderful day!
Heartily Yours,
Lois Dicknoether
Solo Time Music Games
info@solotimemusicgames.com
Valentine Activities |
Valentine Match up - Note and keyboard Valentine Circle of 5th's - Keys to My Heart Valentine Beginner Match Up - Music for Young Children specific Valentine Beats - includes Triplets Valentine Music - Rhythms using 16th notes Valentine Tic Tac Toe and X's and O's - Beginner - Two levels included ![]() New and updated versions of all the games played in the form of tic tac toe and ending with a black out where everyone wins! Key's to my Heart - students match keys to the heart signatures. Great review for theory students learning key signatures up to four sharps and four flats. |
Thoughts on Composing with Kids |
by Emma Skeete
I love composing with kids. It wasn't always this way. When I first had to do the Composition Festival I was intimidated beyond words. In fact, with most of my teaching I have felt pretty intimidated. It pushed me to find my way and to strive to communicate as well as possible with students and parents to help them have fun in the process of creating music.
Why do I enjoy composing with kids? It's the one things that really reflects all of their learning. They aren't taking my word for it, now they are in the driver's seat (with a teacher in the passenger seat : ) ) and they can use the tools they have learned to write a song.
Here is my process for introducing composition. I generally use the same steps for every class, and every level, but try to gear it to their age level. I feel the Composition Festival gives us enough guidelines to make it challenging so I don't really need to do anything further (ie: Sunbeams 1 has 4 bars while Sunbeams 3 and Moonbeams three have a minimum of 8 etc...). Also the kids are learning new things each year that they want to use in their songs (ie: 6/8 time, new keys, accidentals etc...)
I am a singer by background/training so my approach starts with the lyrics.
Week 1: Lyrics (poem)
1. Come up with a theme (or several) and bring it to class. Decide on your theme. If they are having a tough time narrowing it down, or coming up with a theme I might ask: "What would you like to write a song about?"
2. During this class I ask the students to come up with a list of 10-20 words that describe that theme, or words that explain how they feel about that theme.
Ie: Theme: Snow
Words: cold, frosty, glisten, sparkle, fun, sledding, shoveling, fun, snowballs, etc...
3.From there they need to come up with sentences.
So I'll ask - tell a story about your theme? What is the first thing you want to say?
I usually try to do these steps as a class exercise and then come up with something like this:
Ie: I love the snow
The piles grow and grow
I see the snow sparkling,
and my parents shoveling!
I tell them it helps if each sentence has a similar number of syllables and if the ends rhyme. Not absolutely necessary, but can make it sound nice.
Week 2: Rhythm
1. In this stage I have the kids read their poem, how THEY hear it. Most songs end up in 4/4 time which for the lower levels work best. Sometimes we need to add a word or take one out, add a rest or lengthen a rhythm. But generally the kids 'get it.'
2. I try to add rhythm to our "class song"
So for our poem above I might say:
Ta, ti-ti, half note (I love the snooooow).
I'll ask them:, would rather a rest at the end of the bar, then we put that in.
Ta, ti-ti, Ta rest
I love the snow (rest)
I always let the child make the final choice. I may see some suggestions, but try not to overwhelm them either.
4.
a. I emphasize in this phase to add rhythms first.
b. That the rhythms reflect the number of syllables (ie: a whole note won't work for the word elephant!)
c.Finally, that they add barlines and help the child adjust the beats to fill whatever time signature they are in.
Week 3: Tune
1. I ask the kids to pick a key (for the higher levels) and to look at the patterns they have learned (stepping up, stepping down, jump up high, jump down low etc...). I also say they can pick something other than those patterns if they get to the piano and like something else. Or if they have a 4 rhythm figure they can still use a three note pattern, just pick a note to repeat!
2. I ask them to think about helping their music to 'sound like' their words.
(ie: if you're writing about a bird would you pick a high treble sound or low bass sound?)
3. Then I ask them to consider using a composing trick (especially if they are stuck). In the 2 weeks leading up to this week I have tried to teach/review the composing tricks. If not I will show a few at this stage. (I like the hand out in the Moonbeams 3 student activity book for this exercise).
4. Finally I say "what tunes do you like? Why?" Here I am attempting to help them see what they might need to look for as they write their tune.
Week 4-6: (if you haven't started yet) Put your song on the staff.
For some their song is simple, and getting it on the staff is no big deal for others it's a struggle. That is the flexibility of these weeks.
During this time I will encourage them to put in their phrasing, articulation, title etc...
And we comb over each composition to make sure all the guidelines of the festival are being followed.
For those who cannot write their notes on - I have the parents simply put dots on the page (after adding the barlines etc...) and have the kids make larger note-heads and stems from there.
If they really cannot put the lyrics on the staff, I let the parents do it (it is VERY small space for some little hands).
Other Thoughts:
Some kids have a tune, rhythm, words almost from the beginning, or at least a general idea of what they want to do. I just set this forth as a springboard for their creativity. For others, they follow this process to-a-t and need all the steps. That is why I do it this way.
So that is my process, nothing earth-shattering, for some it may seem the backwards way to do it, for others it may help you come up with your own way. I'm not a great song-writer, but I do enjoy writing songs. Not all of my students have placed in the festival, not by a long shot. But I do take pride in the fact that at the end of the year, every student who has taken the time to follow these steps has at least one composition in their hand. They can play it, put it in their memory scrapbook, or frame it - and call it their own. The best part is that I'd say pretty much all of them are excited to have a song they wrote by themselves. Please do let me know if you have any questions/thoughts/responses.
Happy Composing!
Emma Skeete, Certified MYC teacher, Halifax, Nova Scotia
emmasonlife@yahoo.ca
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